COLOR ARTWORKS.- TRIBUTE


TRIBUTE TO OUKA LEELE
TRIBUTE TO ERNST HAAS

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VISUAL METAPHOR

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A visual metaphor is the representation of a person, place, thing, or idea by means of a visual  image  that suggests a particular association or point of similarity. It's also known as pictorial metaphor and analogical juxtaposition. Examples and Observations "Studies of visual metaphors used for  rhetorical  purposes generally concentrate on advertising. A familiar example is the technique of juxtaposing a picture of a sports car . . . with the image of a panther, suggesting that the product has comparable qualities of speed, power, and endurance. A variation on this common technique is to merge elements of the car and the wild animal, creating a composite image..." Visual Metaphor in an Ad for Absolut Vodka "[The] subcategory of visual metaphor involving some violation of physical reality is a very common convention in advertising...An Absolut Vodka ad, labeled 'ABSOLUT ATTRACTION,' shows a martini glass next to a bottle of Absolut;...
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All Hallows' Eve POSTER

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Design a poster to celebrate HALLOWEEN. Use your imagination to announce Halloween, make your own photography and edit it. Use vertical format and add a title and/or slogan too.
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SEQUENCE, SCENE & SHOT

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In  film , a  sequence  is a series of  scenes  that form a distinct narrative unit, which is usually connected either by a  unity of location  or a  unity of time . For example, a  heist film  might include an extended recruitment sequence in which the leader of the gang collects together the conspirators, a robbery sequence, an escape sequence, and so on.  Each of these sequences might further contain sub-sequences; for example the robbery sequence might consist of an entry sequence, a safe-cracking sequence, and so on. The sequence is one of a hierarchy of structural units used to describe the structure of films in varying degrees of granularity.  Analysed this way, a film is composed of one or more  acts ; acts include one or more sequences ; sequences are divided into one or more  scenes ; and scenes may be thought of as being built out of  shots.
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