In  film , a  sequence  is a series of  scenes  that form a distinct narrative unit, which is usually connected either by a  unity of location  or a  unity of time . For example, a  heist film  might include an extended recruitment sequence in which the leader of the gang collects together the conspirators, a robbery sequence, an escape sequence, and so on.  Each of these sequences might further contain sub-sequences; for example the robbery sequence might consist of an entry sequence, a safe-cracking sequence, and so on. The sequence is one of a hierarchy of structural units used to describe the structure of films in varying degrees of granularity.  Analysed this way, a film is composed of one or more  acts ; acts include one or more sequences ; sequences are divided into one or more  scenes ; and scenes may be thought of as being built out of  shots.

1 – What: Pan How:   Move the camera horizontally left or right . Ideally, you should use a tripod for a smooth effect. To be a great "panner", practice the shot several times at several speeds before you feel comfortable with it. Why:  To follow a subject or show the distance between two objects. Pan shots also work great for panoramic views such as a shot from a mountaintop to the valley below. Rule:  Always start on a still shot, begin the tilt, and finish on a still shot. Practice first. Look at the scene as the tilt reaches the middle portion between top and bottom of the tilt. If there is  nothing worth seeing, then the tilt isn't worth shooting . 2 – What: Tilt How:  Moving the camera up or down without raising its position. Why:  Like panning, to follow a subject or to show the top and bottom of a stationary object. With a tilt, you can also show how high something is. For example, a slow tilt up a Giant Sequoia tree shows its grandness and enormit

- CHOOSE A SCENE FROM A MOVIE. - ANALYSE IT PAYING ATTENTION TO: - SHOT - ANGLE - CAMERA MOVEMENT - SOUNDS:    -DIALOGUE    - SOUND EFFECTS    - MUSIC -TIME

CAMERA SHOTS There are many ways to frame a subject within a shot, which can range from showing their entire body to fixating on a finer detail, such as their eyes. In choosing the most fitting shot, you’ll need to bear in mind the message that you’re trying to communicate to your audience. Here are some of the most common types of shots and how you can go about using them: Establishing shot Often included at the beginning of a scene, the establishing shot helps to build ambiance and may give a nod towards the context of what’s to come. It generally comes in the form of a long shot and indicates where (and sometimes when) the scene is taking place. Full shot The full shot is just as the name implies and shows the entire body of the subject from head to toe. This shot tends to focus more on the character’s movement and gestures, rather than their state of mind. Medium shot Also known as the ¾ shot, the medium shot typically shows the subject from the knees up

TRIBUTE TO OUKA LEELE TRIBUTE TO ERNST HAAS

Dorothea Lange   (May 26, 1895 – October 11, 1965) was an American documentary  photographer  and  photojournalist , best known for her  Depression -era work for the  Farm Security Administration  (FSA).  Lange's photographs humanized the consequences of the Great Depression and influenced the development of  documentary photography . Sebastião Ribeiro Salgado Júnior   (born February 8, 1944) is a Brazilian  social documentary   photographer  and  photojournalist . Between 2004 and 2011, Salgado worked on "Genesis," aiming at the presentation of the unblemished faces of nature and humanity. It consists of a series of photographs of landscapes and wildlife, as well as of human communities that continue to live in accordance with their ancestral traditions and cultures. This body of work is conceived as a potential path to humanity’s rediscovery of itself in nature. He has traveled in over 120 countries for his photographic project

A visual metaphor is the representation of a person, place, thing, or idea by means of a visual  image  that suggests a particular association or point of similarity. It's also known as pictorial metaphor and analogical juxtaposition. Examples and Observations "Studies of visual metaphors used for  rhetorical  purposes generally concentrate on advertising. A familiar example is the technique of juxtaposing a picture of a sports car . . . with the image of a panther, suggesting that the product has comparable qualities of speed, power, and endurance. A variation on this common technique is to merge elements of the car and the wild animal, creating a composite image..." Visual Metaphor in an Ad for Absolut Vodka "[The] subcategory of visual metaphor involving some violation of physical reality is a very common convention in advertising...An Absolut Vodka ad, labeled 'ABSOLUT ATTRACTION,' shows a martini glass next to a bottle of Absolut; t